Tuesday, November 22, 2016

OZ Comic-Con September 2016 photo dump

Catching up with Dad in Sydney 
Gestalt Comics Panel Sydney

Creating Clever Content panel

It's Clobberin' Time!

Ken Kirzinger and Jason Palmer.

Dinner out with Comic folk in Brisbane

Gestalt Comics Panel Brisbane

Creating Clever Content Panel

Something something panel (I can't remember :P)

Sydney OZ Comic-Con Video, GFS Animation, ACMI SUperhero Symposium: News Dump-Nov 2016

I'm hopeless at this blog thing. Flat out with September Oz Comic-Con events in Sydney and Brisbane, picked up a new, ongoing series which I can't say much about at this point, but it's a dream gig, and it's keeping me up around the clock to get the first deadline. More soon.

In the meantime, three posts from the last week, adding to the busy-ness, and some news regarding a graphic novel I've almost completed (with Christian Read and Gestalt Comics) to be announced and released, coming soon. WIll be nice to see the last two years of drawing actually see the light of day.
One is a video from recent Sydney Oz Comic-con.

Looking forward to speaking at ACMI in Melbourne next month (bottom story), and perhaps a day of rest :P

Sunday, September 4, 2016

"On this day" 5 year retrospect

The Soldier Legacy's "spirit animal"...


Happy 99th Birthday, Jack Kirby!

All the Jack Kirby week posts from the Soldier Legacy Facebook page, showing why I hail the King.

Swamped! But heading to Sydney and Brisbane Oz Comic-Con

Again, apologies for the radio silence, blog/journal thingy.  In a nutshell:
Finished Semester 1 teaching/Course convening Art Direction and Sequential art & Illustration, shot to Melbourne OZ Comic-Con, assembled pitch material for meetings at shot to the USA for the month for holiday and San Diego Comic-Con. Back straight into teaching (Visual Story and 3rd year Animation portfolio/short film supervision), knocked over another issue of the upcoming Graphic Novel, and now returning to Sydney. May have scored a dream gig. Can't say much but very excited. Anyways, may be delivering a paper at the Superhero symposium at ACMI in December- was accepted but waiting on more news. More soon when I can get around to an update. Cheers!

Also stoked to have had 3 illustrations published in the San Diego Comic-Con 2016 Souvenir Magazine (Kirby characters, naturally.)

Wednesday, June 15, 2016

'Join the AIF: This is Serious!' - ww2 poster homage.

The Soldier legacy homage, with a nod to the character's South Sydney Rabbitohs connection.

The original by Northfield c 1939 - 1942

Originally, I was going to say nothing, preferring to keep my thoughts quiet, or to a select few who actually asked for my opinion.

But I was recently asked kindly if I wanted to sign my name to a statement; a very nice, loving and heart-felt statement, and a statement, given the circumstances, needed to be said.
But one that didn't speak for me entirely.
I originally said in private that if leaving my name off meant that they statement could still speak for the majority, and not make a fuss on my part, then go ahead without my name. But in this sense, I then felt because a number of people had seen me about to put my name on something, and then my name not appear on the final statement, that my thoughts on the matter could be misconstrued. In sharing my thoughts with a good friend of mine arranging it, I was told that my voice does matter in this instance, and though at first dismissing this, I realised it's not the first time I've been told this from peers I admire, so I thought as a middle ground, I would go on the record here: Not intentionally soapbox-ing, not calling for mass-bannings, boycotts or any other nonsense, but to clear the air. In the past, I have simply not engaged in public spats and nonsense. I tend not to care what others think. As one of my heroes, Ali would say: " I know where I'm going, and I know the truth, and I don't have to be what you want me to be. I am free to be what I want." But by staying quiet in the past on some personal matters, this has allowed haters, liars and idiots to fill the void with lies and mistruths. Though I tend not to care what others do with their lives, as it doesn't affect mine, in some cases I felt it did, and I'm only human.

A few weeks ago I made a couple of tweets that spoke my thoughts regarding the comments made by the head of an organisation whom which I have a history; mainly attending of their events to sell books.
I do well at these shows, and have a good reader base. Further to this, I have met good friends of the organisation, who work hard and tirelessly to put on a great event. However, I find that in light of the recent sharing of, what I see to be a backwards and harmful opinion, I am reluctant to ever attend said events organised by the person in question again. I don't wish to name the event, or the person involved; those who know, know what I'm talking about. Those who don't, it doesn't matter. And in doing so, I wish to protect and cause no ill-will that the hardworking good friends who are staff at this show from any further backlash that I'm sure they received during recent social media melees. If anything, I'll miss catching up with you guys the most, and wish you the best. And too, I hope the readers will understand and perhaps utilise other avenues of seeking out my material, or catching up in general, at other events.

This choice has come from a number of days reading the material and comments (there was a lot), and despite a public apology, I felt the apology and attempted olive branch by the organisation doesn't change the opinion and views at the core. Yes, people are entitled to their own opinions. Different if that opinion fuels the future possibility of hate and ignorance. I don't wish to be associated, or seem supportive of said opinions. This isn't a one off; I have seen and heard more of the like in the past (one of which I saw recently, steps on the heart of what my creator-owned work is framed on, which annoyed me), and a few personal indiscretions/embarrassments aside that I have endured, the cons in this instant are far outweighing the pros in regards to continuing to visit the events.

A few creators were surprised when reading my previous, seemingly innocuous tweets; let me be clear: I am not calling for a boycott. What others do is fine; my close friends are guests and are making a worthy compromise by donating part of their proceeds to a charity within this issue. This is very good, and I wish them well.
In my mind personally, anything I think of regarding reasons why it would still be OK for me to attend future shows, seem like a justification, or scrambling to rationalise, and a level of support to the organiser that I am not comfortable with. It's a bit too "Have your cake and eat it too".  Weather it, and it will blow over, more so on the part of the organiser. Really, I'm an Australian comic book illustrator and writer. Let's be honest; I'm not drawing 'Batman', so  I'm not a huge drawcard at these things. It's no skin of their nose if I decide not to go. This aside though, it's the principle, and my choice is my choice. If I can't justify it over a couple of bucks and a few weekends in a year, then I'm not standing up for what I believe.

Family members and friends who are LGBTIQ+ notwithstanding, I teach in university classrooms that have people from all walks of life; races, genders, orientations. I was bullied for years growing up just for being fat, telling jokes, red hair, buck teeth, freckles etc. I wish I could say I came out unscathed, but I'm sure I have a few quirks and complexes because of it. I can't begin to imagine what it's like for kids growing up these days, and I would hope that if education from grassroots such as what 'Safe Schools' represents, could help in this situation, then why oppose it? And considering the hate and violence that still goes on in this planet, education and acceptance needs to be implemented before the next generation grow up to be the people we hope the current generation could be: compassionate, understanding and accepting. We don't all have to sing campfire songs, but we have to stop the violence, that's for sure.

When Muhammad Ali refused induction into the armed forces in 1967, he was told why not compromise? Joe Louis had served out WW2 by doing USO tours for the troops, never pulling a trigger, or running around on the battle field. To Ali though, any acceptance of induction could still be deemed support, compromising his beliefs, regardless of what spin on the situation they could put on it. He put the best years of his career, livelihood, money, and his freedom on the line, for his beliefs.
In a situation which is a fraction of the magnitude that Ali endured, at the very least, I can give up selling a couple of comics at a show if it means I can look a family member, friend, reader, supporter and student in the eye, and mean what I say and believe.

Monday, June 6, 2016

"Float like a Butterfly…"

Knocked up this homage to a great 1970s DC Comic (cover by Neal Adams and Dick Giordano, based on Joe Kubert layout), featuring Muhammad Ali boxing Superman. Rest in peace, G.O.A.T.

Saturday, June 4, 2016

Rumble, Young Man, Rumble.

I constantly have this argument with people whenever the topic of Boxing comes up.

Who was the greatest heavyweight of all time?

It seems that most go for the likes of Mike Tyson, for instance, most likely because of the epic and ferocious ability that he exuded from such a young age, the spectacular way he was able to vanquish opponents in the ring. I have to agree, his knock outs were spectacular, even if against also-rans fighters. But yes, he was one of the greats.

But not “the Greatest”.

I watched ‘When We Were Kings’ for the umpteenth time during breakfast this morning, and still laughed out loud with reverence and awe whenever Ali spoke. The overflowing pile of books I have accumulated of the subject of Muhammad Ali over the years has taught me many things that I constantly strive for. I loved Ali since a young age, always trying to emulate his light footwork, attempting to “float” like he and Bruce Lee did, around my friend’s backyard while we snotted each over with boxing gloves, flicking out jabs, and shuffling our feet. It wasn’t until I was older that I grew to respect the man, his actions, and his words.

His words helped me attempt to achieve things that in my quietest moments, I thought I could never pull off. I have been a part of 6 Australian Taekwon-do teams over the years, my first being in 2003 when I was 19, my latest (and hopefully not my last) back in 2014.  Every day I juggle a pile of commitments that will take years to complete, but Ali is one of the things I recall, and it gives me strength, fortitude and perspective.

Immediately after I saw the news of his death, I wiped away some tears, and was compelled to put down some thoughts. As I began typing this, I realised they don’t all seamlessly connect, as Ali has said and achieved a lot that has inspired me personally, so they’re in chunks. If even one sentence and example makes you nod or remember something, or sparks something in you, then that’s one more person on the planet that I am happy to say Ali has touched.


2013 World Championships.

“My Toughest opponent has always been me” – Muhammad Ali.

Though all the memories, 2013 stands out the most in my mind as it was 6 years after the previous one. I was turning 30, and to top it off, I was still relatively new to freelancing paid work in comics, and my first short story was for a little publisher in the US, coinciding with the World Taekwon-do Championships in the UK. Suffice to say, it was a busy lead up, with training and drawing to make deadlines.

I really didn’t know if I could do it.

But, to motivate myself, I surrounded the house (and eventually brought with me to the UK), the words of my idol, Ali. In both my comic book and publishing aspirations and fighting, the words resonated.  I’m not going to plaster all his quotes here that I had, but they very much helped me, even just to get out of bed and put the training gear on early morning, or come home after a long day at work to train at the gym, or run at night. (To this day, after barely any sleep, and a full 11 or 12 hour day at work, I still find myself with the fortitude to stop at the gym and slog it out for an hour or 2, despite not having anything immediate on the horizon to strive for. Just, for me, I suppose.)

“One day, I won’t be around to answer people’s questions, or advise young aspiring athletes. What I want to say is for the people whom I’ve never met. It is for the boys and girls whose hands I will never hold. It is for the champions to come. These comments are for every spirit on the downside of advantage:

Champions aren’t made in gyms. Champions are made from something deep inside – a desire, a dream, and a vision. They have to have the skill and the will.

But the will must be stronger than the skill.

When I was boxing I would set a goal for myself to demonstrate to other people what could be done, and to prove to myself that anything was possible when I set a goal then worked to achieve it. We create out own realities according to our thoughts and beliefs. The critics who told me what I couldn’t do didn’t know as well as I what I was capable of.

Everyone wins and everyone loses every now and again. If we didn’t experience loss, we would never know what we are capable of.  The important thing to remember is:
You don’t really lose when you fight for what you believe in. you lose when you fail to fight for what you care about.” – Muhammad Ali.

So how did it all go? Well, the US release was fun, but not Earth-shattering. I know only a handful have ever seen the book in Australia, let alone cared about it. But, one could argue that that experience eventually lead to the current projects I have on the drawing board, and ones possibly to come. It’s all experience. And you have to keep going.

“…If you want to win, the will can never retire, the race can never stop, and the faith can never weaken.”

Regarding the 2013 fights, well, I remember after winning a fight or two, I lost my first fight in years. Faith did weaken. I was drained, sure- no sleep because of the last minute 1-day delay of the division, and not feeling well, I hadn’t had a meal in 24 hours. Regardless, this guy was very good. In fact, he went on to win Gold. After watching it weeks later, the fight looked far more even-looking on footage than it felt. And the judges awarded it close, but still, I felt horrible. I remember my left ribs were sore (and to this day, become stiff if I lean on that side sitting for too long).  I’d coped a few decent hits to the head, so consequently a bit “punchy”, and exhausted. I needed space. I ended up in a quiet corner of a locker room, Dobok top off, gloves still on, tears streaming down my face. I knew some point later in the day, we had team sparring events, so I had to pull myself together. Stupidly, this popped into my head.

“Inside the ring or out, ain’t nothing wrong with going down. It’s staying down that’s wrong” – Muhammad Ali.

I returned to the hall. We were all pretty wiped but I knew we had to step up and do our best in this next event. Seeing the first fight become a one-sided affair, and the referee not doing much to control the nonsense, and loved ones watching on, was enough to spur me on to step in for my turn again after the earlier defeat. 

The fight lasted seconds. KO with a left hook. I later discovered this gentleman won Bronze in my individual division, which makes me imagine to this day what could have been if the Draw for the fights had been a little different.

Now Australia didn’t win the event overall, and I didn’t come away with a Sparring medal, but this fight still stays with me to this day as I was able to mentally redeem myself, and to walk away knowing that we can achieve, even when we fail. I have never stopped being my toughest opponent, though.

Last year, I completed my DVA (Doctorate of Visual Arts) in the field of Comic Books; looking at the process, historical context of US, Australia and the UK, with an eye towards the development of my own comic series. When I began, apart from being a fan, and having researched American Superhero comics previously in my honours year, I had only dabbled in creating comics as a fan of drawing and reading; not by having an understanding of the disciplines of comic book art development and the methods of applying sound visual storytelling that I would then come to learn through the following years of learning, seeking out professions here and overseas for feedback and review, practice, and execution . My Doctoral methodology in this regard was described as “Action Research”; it reminded me a lot of Martial Arts, which I have trained in since my early teens. Training with those who are some of the best of their discipline; Masters, Grand Masters, noted competitors and team mates, it is no different, and is a series of skills that will be continued to be studied and researched, I predict, for the rest of my life.  
Again, Muhammad Ali came to mind when adopting this philosophy, and it’s something I try to consciously feed to students in my Uni classes (if I’m not making a Jack Kirby reference :P), particularly those who aren’t sure how to tackle the immediate problems they may face, overcoming a creative obstacle.

“ All of my life, if I wanted to do something, I studied those who were good at it; then I memorized what I learned, and believed that I could do it, too.
Then I went and did it.” – Muhammad Ali.


“Everything that God created has a purpose. The sun has a purpose. The clouds have a purpose. Rain has a purpose…even the smallest insect, and fish in the sea have a purpose.

Regardless of how large or small, we were all born to accomplish a certain task. It is the knowledge of that purpose that enables every soul to fulfill itself.

One person with knowledge of his life’s purpose is more powerful than ten thousand working without that knowledge” – Muhammad Ali.

When I was a kid in year 7, I really couldn’t sit and watch boxing like I do now. I recall falling asleep on a few occasions watching fights on TV. They weren’t cartoons, so I wasn’t too invested. There was one tape that my Dad had which was “Rumble in the Jungle 1974” and “ Cassius Clay vs. Sonny Liston 1964”.

These I loved.

Seeing the man dubbed ‘The Louisville Lip” brag and joke and stand up to these bigger, brutish supervillain-types of Sonny ‘The Bear’ Liston and young George ‘The Mummy’ Foreman, use to make me laugh, like Spider-man taunting the Rhino or Juggernaut from one of the comic books I’d read. He was a superhero.

As I got older, I particularly noted that the fights were a great contrast, between a man who was at the beginning of his career, and a man a decade later, who was beginning the downward years of his career. What strikes me now to this day was that Ali, who gave away the best earning years of his life, when he was at his fighting peak (look at those fights against Cleveland Williams, and Zorah Folley) for his religious and racial beliefs, had to re-invent himself skillfully, and change the way he fought his opponents. He adapted to life. No long able to duck and dance against the younger and tougher men that his division had to offer, Ali had to expose weaknesses, and overall, use experience. And if none of that worked, such as against the powerful Joe Frazier, he had to use psychological warfare (harsh sometime, but it sold tickets), and just good old fashioned guts and determination.

Yes, I humbly believe he fought too long. Spinks, though an avenged win in the end (and a third Heavyweight title) should have been the curtain call. But such is the desire of the fighter to keep fighting, long after the body ceases to be fully capable. But much can be said for that spirit to carry on.

The first fight against Liston in 1964 is another lesson in itself. Ali (then Clay) was proving to all the naysayers that he had the ability to achieve what everyone told him was impossible; beat Sonny Liston to be the Heavyweight Champion of the World. Early in the fight (I want to say Round 4, I think), Ali began to complain his eyes were stinging. It was speculated the liniment uses to stop cuts bleeding to Liston’s face had gotten in Ali’s eye. Liston, known to be in the Mafia’s pocket, was speculated to have cheated in this instance, by having the liniment on his glove, and smearing it into Ali’s face (since the Boxers had never touched heads at this point, and Liston was struggling to even tag Ali until the complaint). Angelo Dundee, Ali’s trainer, frantically washed Ali’s eyes in vain, as Ali was ready to quit (calling out “Cut my gloves off!”, trying to claw his face.) Dundee, sensing the referee’s presence, shielded him from getting a proper look at Ali, and assuring Ali that the sweat would eventually wash the product from Ali’s eyes, instructed Ali to dance for a round (virtually blind), and try to survive the onslaught of punches Liston would barrage him with.

So Ali danced. And by round 6, Ali could see again, and began to fight back. So much so that by the beginning of round 7, Liston, who realised Ali wouldn’t give in, spat out his mouthguard and refused to get up.

Ali had won.

No matter what life throws at you, and as tough as it’s going to get, and even when you are ready to quit, you have to keep going. Even when you initially try again, and you feel like you’re stumbling around blind, you put your hands up and keep dancing. 

That’s what Ali taught me.


I was sitting here marking a pile of student work after spending a rainy morning scrolling through the news, hoping that the news of Ali would get better. Waking up to see that my hero, since as far back as my ill-fated days as a little kid trying to box and failing miserably, was on life support, was not the way I wanted to greet the weekend of work. A selfish thought, given the biblical downpour of rain, washing away poor folks’ cars merely a kilometer from the house.

We are lucky. I’m not a religious man. But I grew up with friends devoted to the spirituality of the church, or to their God, and I respect that; if the good aspects of religion bring them and their families comfort, then who am I to be a jerk about it? I hate the twisted aspects of it: war, poverty, mental and physical abuse, but that’s painting everyone with the same brush. It’s no different than assuming because I like Ali and Boxing that I’m an unintelligent thug who goes about punching people in the street. Ali, was someone I immensely respected, who was Muslim. And though I don’t share the exact same beliefs, I do admire his love and devotion to the teachings of Islam, the love and peace he spoke of from his teachings, and his thoughts on racial equality, particularly now in a world still full of hate, turmoil and distrust. He understood the big picture, more than many other so-called leaders and politicians. He had compassion. His work with the United Nations, Special Olympics, his talks with the Dahlia Lama, are just a small taste of the compassion the man had. Look up his speeches. It makes you forget for a moment the violence of war in the world. And you may say, “Boxing is violent”- yes, but maybe two people competing in a ring and walking away at the end is better than nations fighting and losing countless people.

Look, I don’t pretend to understand the bigger picture, but at home at the very least, I try to remind myself and my partner that despite what hardships we may feel we have at any particular time, I know that we live in a country not ravaged by war, we have family somewhere at any given point that love us, a roof over our head, food in the cupboard, a few hard earned dollars squirrelled away to enjoy some life a little later in the year. We’re doing just fine.  My parents taught me this value; not in words per se, but through experience. It wasn’t always like this. So as an adult, I try to recall and reflect, and be thankful. We may not be where we want to be, but to paraphrase Ali “…We are free to be who we want to be”.


I apologise that the tone is somewhat self-indulgent, but in order to share, even if it’s just myself, what the G.O.A.T meant to me, then this exercise of coming to terms with the loss was worth my afternoon.

If you can track down a book called King of the World by David Remnick, it’s a great look at Ali, in the context of the era, the Heavyweight division, the Civil rights movement, Malcolm X etc. ESPN’s extensive look at his career in the Heavyweight Boxing box set is a wonderful overview of his best, and obscure fights you don’t usually see. And I would also recommend trawling thru Youtube; everything from his complete Wide World of Sports interviews with Howard Cosell, to his Parkinson interviews in 1971, 1974 and 1981, to his appearances on the Dean Martin Celebrity Roasts can all be found on there. They’re amazing.

To finish up, by my bed side, among the giant pile of “to Read” are two books, where much of Muhammad Ali’s thoughts, poems and inspiring words can be found. Two in particular: More than a Hero: Muhammad Ali’s life lessons by Hana Ali, and Muhammad Ali: The Soul of a Butterfly.  Anyone with a passing interest in the Champ should check them out. They’re great pick me ups. There is one chapter in the latter book which, given today’s horrible news, seems appropriate. If you have indulged my thought streams about my hero, I do appreciate it.

How I would like to be remembered.
“I would like to be remembered as a man who won the heavyweight title three times, who was humourous, and who treated everyone right. As a man who never looked down on those who looked up to him, and who helped as many people as he could. As a man who stood up for his beliefs no matter what. As a man who tried to unite all humankind through faith and love. And if all that’s too much, then I guess I’d settle for being remembered only as a great boxer who became a leader and a champion of his people.
And I wouldn’t even mind if folks forgot how pretty I was.” - Muhammad Ali

That’s why he is the Greatest.

Rest in Peace, Ali.
January 17, 1942 - June 3, 2016

Sunday, May 22, 2016

FREE preview of Soldier legacy #7- scene from next TPB *SPOILERS*

Click on the pics to Enlarge/Click thru. ***SPOILER*** If you haven't read issue 6. 

Preview Cover (Not final issue cover)
page 1

page 2
page 3

page 4
page 5

page 6

So, The next trade paperback of Soldier Legacy (Volume 3) is a little way off, since I'm in the 3/4 mark of another TPB for Gestalt. But in the meantime, I have been doing a snippet of activity on the final chapter of the series here and there, and though it might be nice to drop a scene out there. Not exactly an action sequence (and possibly in draft form, as it gets a bit wordy), but a scene close to my heart, with the connection to Chuck (and his "character" from the short Australia! anthology story released late last year through ComicOz. Those that have read up to Soldier Legacy #6 will get where we're at, ***SPOILERS >>>>*** The Soldier was impaled with a Katana on the last page.>>>>So this scene in this post is not the scene immediately following, but pretty close to. Probably one of the more surreal or just relatively "strange" scenes that have featured in the series, I would really like to see what folks think. Feel free to comment, or hit up the Facebook page, and thank you for the support, and just indulging me talking about the books like people given a damn. Cheers!

Friday, April 22, 2016

For ANZAC Day. Lest We Forget.

The original recruitment poster, by Harry Weston, 1915.

23/4/2015. Rest in peace, Chuckie.

On the 23rd of April 2015, my partner lost her special friend "Chuckie". He had become someone special to me as well, a personality like no other. The loss hit us very hard. I had the opportunity to contribute to Comicoz's 'Australia!' anthology last year, which was created to raise money for Beyond Blue; and since Chuckie assisted the fight against depression on a day-to-day basis, and was a "supervisor" on later issues of 'The Soldier Legacy', I was compelled to bring him into 'Soldier' continuity too. A cheeky character on and off the pages, he was our little Aussie hero, and we miss him greatly, every day. 
Rest in peace, Chuckie.

Wednesday, April 13, 2016

Process: Anatomy of a Cover/Pin Up: Retro Sci-Fi Tales #3, April 2016

After a post it note thumbnail, this was scribbled up. 
In a nutshell: Was approached by friend Darren Koziol, DarkOZ publisher of 'Decay' and 'Retro Sci-Fi' Magazine, to to a short story. I'm flat out finding time to sleep lately with all the other commitments, so a cover was proposed. From a list, I chose to draw 'Space Amazons', as I have a thing about drawing trees for some strange reason. *Shrug*- and thought it would be a cool challenge. The Alien landscape elements sounded like a fun opportunity. I scribbled something up, and tried to utilise the trees as a circular framing device for the figures in the composition, and place the figures in a staggered "fan" formation, countering the lines of action and heights for a bit of variety in their placement in relation to one another. I dig perpendicular lines in compositions- something I've seen Kirby pull off, or shown in Disney books on avoiding parallel placement of limbs in a pose, so this was attempted with the spear placement, for instance. Well, that was the thought process, anyways.

Raw scan. Inking is not my jam, but I take the Steve Ditko approach of using inks to "draw" the detail in, that the loose wrireframe scribble is missing. Keeps the job "fresh" in my head, rather than feeling I'm re-drawing something I already drew. Ultimised blacks in the foreground to re-enforce the framing of the figures, so that I didn't loose them in the image.
I'm not a Cheesecake artist, and frankly, that stuff doesn't interest me; A good drawing is a good drawing. In this instance, the subject matter and reference material suggested figures a bit too cheesecake for my comfort zone, and figured the Amazon component, coupled with the "John Carter of Mars/Sci-Fi fantasy/Red Sonja/Robert E Howard" vibes, should speak to female forms of more athletic frames, than buxom bikini types. So in this case, UFC/Women's Boxing and Olympian forms were referenced, at a poor man's attempt at what a Frank Frazetta drawing would look like if he drew like me (a monkey with a pencil taped to his paw, in comparison). If I can learn from a pose, I will. 

Cleaned up scan, with pencils eradicated. The handy part about drawing in Prismacolour animation pencils (actually, mine had died by this point; I think this image was using cheap, kids colouring in pencils that came free with a marvel pencil case :P), is that Clean ups after scanning the image is super quick in photo shop.
So this was the scanned image, with a black and white adjustment layer/filter applied to "knock out" the colours from the pencil roughs. Saves a heap of time (relative, without a Cintiq that is…*sigh*) in the clean up process, rather than deal with smudged/scribbly graphite that photoshop can confuse with ink lines when darkening/adjusting levels, contrast etc.
Re: inking- a discipline in itself, and something I continue to try and learn/challenge myself, particularly when I have the tools, time and courage to move beyond the cheap, store-bought calligraphy markers and art line pens. The smoke, for some reason I love trying to draw different sorts of clouds; the cross hatching with the thick to thin lines, is another poor man's attempt- in this case, Joe Kubert. The attempt is to at least give each element its own treatment- a Klaus Janson tip- so that the mud doesn't look like bark of a tree, the moss looks different to the bushes, the mist (it looks kinda Arthur Adams-ish, but I wouldn't point it out to him, it would be an insult) looks different to the heavy smoke clouds etc. I figured at least I could use colour to reinforce the difference.

If I recall, the colour scheme shifted during the course of this; Colouring for me is the ultimate fight; make this image work, or at least get as close to the vision I have in my brain not always the case- but the main idea was to simply select a main colour, and work in terms of complimenting the main colour, without overdoing the values, and still supporting the focal points.
So this was essentially the colours, sans ink lines. Flats to renders and final flourishes etc. Always starting with a base gradient/colour, I wanted to further reinforce the alien landscape, and support the light/framing of the inks to tell the "story". An illustration can still convey a story, which is why I always promote th importance of understanding composition, and visual storytelling language regardless of the chosen medium; knowledge and practice of these elements always lift an image over a mere "drawing". 

I think the hardest part of the colouring was that damn Alien Parrot in the foreground...
The Final image: A bit of a challenge to say the least, but at the moment, I don't hate it. That's a win, in my books. The problem with something like this is that the variety of colour elements run the potential of clashing if not handled subtly. Being able to utilise complementary colour-rim lighting, helped further separate the figures from the environment, without having them feel like their colour scheme clashes, or that they don't belong/feel part of the image. Some Colour holds and bits used to knock the edge off some of the parts in this pic, and given the number of these I got a chance to scribble a signature on, over the last weekend at Adelaide OZ Comic-Con (where the book was launched), I guess some people thought it was alright, so I'm content.

Thanks Darren for the opportunity to draw your characters, and for publication of the image. You can find DarkOZ publications on Facebook https://www.facebook.com/DECAY-horror-comic-249103491793685/?fref=ts, or from their website  www.darkoz.com.au.